This is a pretty good short-term deal for Mac users that includes:
Click here to learn more or order. You can also review the list of included items below:
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
The Scott Kelby & Brad Moore Meet & Greet VIP Event
If you’ve been reading my blog for a while then you know I’m a huge Scott Kelby fan, and his Digital Photography Books have been long-time entries on my must read photography book list!
Today a few select blog readers had the opportunity to join me for a 45 minutes behind the scenes private meeting with Scott Kelby and Brad Moore. It was a great opportunity filled with cool behind the scenes stories and plenty of laughter.
My VIP guests enjoyed front row seating with me and a great view of Scott…
…where he shared tons of great tips and behind the scenes thoughts on how he shoots…
…to the enjoyment of our entire group.
Scott Kelby in Seattle on April 26, 2016
Scott’s is touring the country doing a new seminar where he pulls everything together from all of those books into a single seminar. Here’s a short video where Scott explains in his own words what you can expect from this day long event:
Sounds great, right? Check out the schedule to see where he’ll be next, but sadly I won’t be there for any more VIP events.
I’d like to thank David Gales for the photos in this article which allowed me to enjoy the show. My apologies for the mix of color and black and white photos, but I handed David the X-Pro 2 that I’m reviewing and had forgotten it was in an odd JPEG only film simulation bracket mode.
If you’ve never been to one of these types of classes you are in for a treat. They are a screaming deal and you learn a ton. Even if you just took the excellent handouts (which are very nice printed and bound booklets) it would be more than worth the full ticket price. The fact that our group got to meet Scott & Brad with front row VIP seating was icing on the cake!
Thanks Scott, Brad, David and Debbie for helping make sure it was a great day for all of us!
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this. This offer is also void where prohibited and there’s no guarantee of anything beyond the show discount. It’s always possible I could get sick, Scott can’t see us, or we can’t logistically sit together – but every effort WILL be made to try to make that happen.
Click here and use the coupon code RONMART15 to get 15% off almost everything at the StuckInCustoms.com store. Here are some of my favorites:
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If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
Thanks for joining me for my a hangout with photofocus.com here. If you didn’t make it you can click the photo above to watch the video archive and learn more. You can also get the PowerPoint for the presentation here or the PDF of the presentation here.
During this video I gave some practical advice about travel photography as well as doing some demos in Perfectly Clear. Here’s a special 15% discount for those who watched using the coupon code Springclean:
If you already have a coupon code, replace it and use this one by clicking Update Coupon to save even more!
Here’s links to some of the things that may come up during the hangout:
CLICK HERE to learn how to join Ron to Meet Scott Kelby in Seattle on Tuesday April 26th – limited availability.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
Sony Alpha a6300 Mirrorless Digital Camera
Click here to get it now via Amazon Prime
The Sony a6300 is an impressive camera, no doubt, which is why I couldn’t contain my praise in the first part of my review entitled REVIEW: Sony a6300 with Sony 16-70mm f/4 Lens (Part I of II)–The best Sony AF ever?.
The more I used it, the more I liked it. What’s more, my wife even started asking me if we could get one as she loved the size and performance. Given the great 4k video, it’s not out of the question that I might invest in one of these for my personal use as it is a heck of a lot of camera for this price.
Here’s a short video that gives you some basics about what I like about this camera and shows off some of its cool features:
Despite my disdain for doing video, I couldn’t help but share at least one 4k video that gives you a basic idea of how good it is:
You must view full screen via here on a 4k display like the NEC PA322UHD to see the full 4k
Be sure to view the “stats for nerds” by right clicking on the video to ensure you are really seeing 4k – you may have to play it again to see the full 4k video.
Here’s a 4k frame grab from YouTube that illustrates what you should see if you are really viewing the 4k version:
Click the photo to see the full size 4k screen grab of the 4k video playback in YouTube
f/8 @ 70mm for 20 sec at ISO 100
Even up to f/8, the image quality is super sharp
100% View of shot above
Personally I found ISO 6400 to be my comfortable maximum ISO as shown here:
Click here to view over 20 bookshelf shots that you can download and view in full resolution to see how this camera performs at various ISO’s and apertures.
The results here are definitely better than some lower end DSLR’s I’ve tested, so don’t let the small size fool you – this is a highly capable cameral for photographers of all skill levels.
People don’t read manuals and they rarely take time to learn how to use their cameras, so when I test I like to have a combo of brain dead shooting (like many would do with cell phones) sprinkled with some serious shooting where I actually dial in all settings manually. This results in what I call real world shots because they are unplanned, unedited shots that just occur during the course of everyday life.
I hope you enjoy them compared to the heavily processed shots found elsewhere as they more closely represent what real people will really get out of this camera if they were to take it home and use it themselves.
The shots below and elsewhere in this article are completely unedited in-camera JPEG’s that feature camera defaults unless otherwise noted. These images may be viewed when reading this article, but you may not print, edit, modify, redistribute, etc… any of these images in any way. They are copyright Ron Martinsen – All Rights Reserved.
Click the photos to see full-size, unedited original in-camera JPEG’s.
f/4 @ 70mm for 1/250 sec at ISO 6400
Not too shabby for ISO 6400!!!
f/4 @ 70mm for 1/250 sec at ISO 400
While this may not have been the best lens, it still did a decent job and offered some respectable bokeh it was summoned such as was the case in this shot
f/4 @ 20mm for 1/200 sec at ISO 100
Kids don’t stay still, and Kai is no exception. I was happy with the face detection that still gave me a decent focus on the face even when Kai was totally random and unpredictable. I couldn’t have got this shot with most high end DSLR’s
f/4 @ 59mm for 1/400 sec at ISO 4000
I stuck my camera in a log and took a shot without even seeing where my son was. While this may not be the most perfect shot, I was impressed that it still came away with a relatively decent focus on the eye – especially since my Kai was running
f/4 @ 18mm for 1/250 sec at ISO 100
Lens flare is inevitable for a shot like this, but that green flare at the bottom was something I wish wouldn’t have happened. Perhaps a better lens like the Sony FE 24-70mm f/2.8 GM would have avoided doing that.
f/5.6 @ 70mm for 1/125 sec at ISO 125
My eyes couldn’t spot the two moose in the 9 o’clock position but fortunately the camera could and it got decent focus, so this was something that made my wife a fan of the AF system
f/4 @ 23mm for 1/1250 sec at ISO 1000
You won’t confuse this for the a7R Mark II when it comes to dynamic range, but its images will be better than you think on your display than they appear through the viewfinder LCD.
f/4 @ 70mm for 1/125 sec at ISO 800
The in-camera noise reduction smears textures too much, but this camera gets the shot and it’s RAW images give you the option to try using a third any noise reduction product like Noiseware
f/5.6 @ 70mm for 1/640 sec at ISO 100
Default in-camera processing with auto white balance is a little bland, but it often gets the shot that gives you something that will clean up nicely during the photo editing process
f/4 @ 70mm for 1/500 sec at ISO 125
f/4 @ 64mm for 1/500 sec at ISO 500
Look carefully at the tallest flower and you’ll notice some speck on it. If you zoom to 100% of the full-size file you’ll see that it’s actually a bug – that’s pretty decent resolution!
f/4 @ 61mm for 1/500 sec at ISO 200
Great sharpness on the subject and butter smooth bokeh elsewhere – you’ve gotta love it!
f/4 @ 56mm for 1/80 sec at ISO 1000
If your settings are dialed in properly, the built-in stabilization will increase your chances of a sharp shot even if you have a shaky hold like I do!
f/4 @ 70mm for 1/500 sec at ISO 320
Shooting into the sun with a dark subject, but the AF did great and the meter was spot on for an accurate exposure
f/4 @ 70mm for 1/500 sec at ISO 100
You sacrifice some sharpness for this bokeh as you can see in the f/5.6 shot
f/4 @ 70mm for 1/500 sec at ISO 200
Click here to get a full gallery of images taken while I was reviewing this camera..
With outstanding autofocus featuring brilliant eye tracking, excellent 4k video support, impressive burst mode speed and all the features any serious photographer would really want – this is a camera that I can easily give my highest recommendation.
Yes, this is a serious camera for serious pro photographers so if you can justify it then get even better results by skipping this lens in favor of the Sony FE 24-70mm f/2.8 GM Lens and go for the Zeiss Batis 18mm f/2.8 Lens if you need a pro quality wide angle lens.
Click here to learn more or order at the B&H web site, or click here to buy it at Amazon.
Click here for info about the best free software on the web that used to cost over $800, but Google has made free.
Interested in something even better? Check out my What plug-ins should I buy? article.
If you enjoyed this article, you may also enjoy these:
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
Think Tank Photo Retrospective in Leather Sandstone
Think Tank Photo bags have a great reputation for being well built, durable with excellent designs, but often times they only come in a plain black design. The retrospective was one of the first bags to bring some character to the Think Tank Photo line up, so it makes sense that they’d use this bag to take it to the next level with this cool new leather sandstone design.
If you like the Urban Disguise series, then you’ll love the retrospectives as it’s a more stylish alternative.
Think Tank Photo Production Manager 50
If you are like me and shoot on location – especially with studio gear – then you’ve probably already heard of the Logistics Manager. I love mine and use it whenever I have to pack the studio gear to go, but for as big as it is I still find myself having to carry at least one more bag (usually my Airport Security roller bag). Well now the mother of all Think Tank Photo bags, the Think Tank Photo Production Manager 50 offers a one bag to rule them all solution that would make Tim Taylor proud!
This won’t be a bag that you stuff in a SMART car, but for serious shooters carrying serious gear, this is a great solution to toss into the back of your SUV.
The Production Manager 50 is a monster, designed to hold C-stands, multiple flash heads, power packs, monoblocks, softboxes, and light-stands. What it used to take two people to transport, you can now do by yourself.
I’ve been using Think Tank Photo bags since 2007 and travelled with them overseas many times. These bags take a beating, but my gear has always been safe and secure inside them. With great zippers that have never failed me under over packing situations, and smooth wheels that are a blessing when running to catch trains, planes and taxis. I highly recommend any bag from Think Tank Photo, so I’m excited about the release of these new bags.
Click here to learn more about Think Tank Photo bags and enjoy a special offer when you use my links.
If you enjoyed this article, you may also enjoy these:
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
My friends at on1 Software have reactivated my coupon code with a 20% savings off all on1 software products like the full suite:
or even the upgrade:
All you have to do is CLICK THIS LINK and enter this coupon code and click Apply Coupon:
MART16
This coupon code will eventually expire, so be sure to check my discount coupon code page if or contact me if it does. In the meantime, enjoy the savings!
If you enjoyed this article, you may also enjoy these:
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
Fujifilm X-Pro2 Mirrorless Digital Camera
In 2012 when I reviewed the X-Pro1, my only experience with Fujifilm X-Series cameras was with the X100 and X10. The image quality impressed me, but my lack of familiarity with cameras in this class caused me to give it a pretty harsh review.
Fujifilm XF 16-55mm f/2.8 R LM WR Lens
Fast forward to 2016 and I’m a happy owner of a X-E2 and I’ve got experience reviewing over a dozen Fujifilm cameras so my opinions are very different. This time I’m also pairing it with the much more practical Fujifilm XF 16-55mm f/2.8 R LM WR zoom instead of the razor sharp Fujifilm 35mm f/1.4 XF R prime lens.
X-Pro 2 Hybrid Viewfinder Design
While I love a lot of things about this camera, with all of the offerings in Fujifilm’s X-Series line up, I still scratch my head and wonder why this model exists. A big chunk of its cost is related to its hybrid viewfinder which allows a practical electronic viewfinder and an utterly useless rangefinder style optical viewfinder.
Yes, if you are a masochists and enjoy seeing the barrel of your lens and your thumb when viewing optically for an image that looks nothing like what you’ll actually capture, then I guess it makes sense for you. However, anyone in their right mind is going to switch to the excellent electronic viewfinder and get an image that actually represents the photo you’ll actually be taking.
I felt this way then and 4 years later I still find this style of optical rangefinder viewfinder to be an artifact from photography’s past that should be long forgotten. I see no point in not being able to see through the lens and see what happens when I turn the focus ring or zoom (although this camera does at least have an overlay to help with that).
The good news is that this camera comes with an excellent electronic 2.3 million pixel viewfinder that feels far superior to its predecessor. As a result you see a beautiful image that does in fact represent what you’ll actually see on the computer. However, the X-E2s has the same resolution viewfinder so wouldn’t that mean this is like the X-Pro1 vs X-E1 all over again where you pay a premium for a useless optical viewfinder?
Well fortunately, that’s not the case this time. Fujifilm has learned from its mistakes it seems and now has added a higher resolution sensor, an extremely useful joystick, improved autofocus and more (see here). As of the time this article was written, this was the best Fujifilm body available, but one can’t help but wonder (and hope) the replacement for the X-T1 will be this and more. If that happens, we’ll be back to my why question again – why would anyone really want this model? For now, the answer is obvious when you see the rest of my review – but I think it’s reign as being at the top of the Fujifilm X-Series line will be short lived (or so I hope).
Proper Selector Buttons
While I still think that the overall controls of the X-T1 make it the most desirable Fujifilm camera on the market, I absolutely hated its horrible selector buttons.
It is with abundant joy that I can report that the X-Pro2 features wonderfully responsive selector buttons like its predecessor. In fact, the rear panel features an extremely useful joystick for changing the autofocus point as shown here:
X-Pro 2 Rear Panel with Joystick
With 196 contrast detection points and 77 phase detection points, you are now able to put your focus point exactly where you want it which is a huge improvement over most cameras made today.What’s more, the focus is outstanding – especially it’s auto modes like eye detection as shown here:
f/2.8 @ 55mm for 1/550 sec at ISO 400
I took this shot three times because I couldn’t believe it could automatically focus on my son’s eye so easily – but it did – all three times!
I was reviewing the Sony a6300 at the same time I was reviewing this camera, and I was blown away with how well both cameras managed to get eye focus so quickly and easily under tough circumstances. However, as good as the Sony was, the X-Pro 2 was better – way better – in this respect. I was floored!
f/2.8 @ 55mm for 1/125 sec at ISO 400
My head was outside of this log, but I just stuck the camera in and shot blind.
My faith in the AF system was justified, because it pulled off a shot that wouldn’t have been possible otherwise.
In all my years of reviewing cameras – including the mighty 1D X and D4s, nothing I’ve ever tested as performed so well in real life scenarios – and it does it automatically so that even a novice could nail the two shots above – amazing!
In fact, if I had a single word to summarize the X-Pro 2 it would have to be fast. The focus was fast, the burst mode was fast, the start up time was fast, and shutter lag was non-existent.
Aside from these points, it was pretty much everything that Fujifilm fans already love about the X-Series platform – improved.
f/2.8 @ 55mm for 1/1000 sec at ISO 3200
Black bear was sadly a black blob with the 1.0 firmware
(Photo taken in captivity at Northwest Trek)
Fujifilm is great at doing firmware updates to update customer concerns, but when I was field testing I didn’t have the luxury of installing the recently released 1.1 firmware. As a result, I found myself very frustrated with shots like the one above taken using the Standard Provia film simulation mode because my bear shot ended up being a huge black blob. Between the poor performance of the in-camera noise reduction at 3200 ISO (a common historical issue with Fujifilm) and extremely dark shadow areas, I ended up losing the opportunity for a decent bear shot.
While I could have set the Shadow Tones to –2 to compensate for this problem, I do my best in reviews to try to test the camera as close to out of the box as possible – excluding basic settings for aperture, shutter speed, and ISO of course.
f/2.8 @ 55mm for 1/125 sec at ISO 500
Similar issues were found in the highlights on some exposures as well making me wonder exactly what DRO Auto was really doing, as it certainly wasn’t protecting my highlights and shadows like the x10’s legendary EXR feature did!
Fortunately, these were both images that were easily correctable using the RAW thanks to Adobe Camera Raw 9.5 support for this camera.
I’m also still bummed that they haven’t added a pop-up flash to this camera. While pop-up flashes do suck, sometimes it is better than nothing it at all. That could have saved my bacon for shots like this where I didn’t realize the default auto ISO max sensitivity was set to 800 for Auto 3:
f/5.6 @ 26mm for 1/10 sec at ISO 800
Not realizing this at first, I found myself shooting at 1/10 of a second for many shots when I was indoors, so I only ended up with one reasonably sharp interior shot:
f/5.6 @ 19mm for 1/10 sec at ISO 800 – Handheld
It was a user mistake which happens sometimes when going forth between two cameras at the same time (remember, I was also reviewing a Sony a6300 at the same time). However, I’m puzzled why a camera in 2016 would top out its ISO at 800 and find it reasonable to go to 1/10 sec shutter speed. It would be fine if I were on a tripod, but in the real world you get burned with settings like these. As a result, I became more careful to watch the auto logic of this camera.
People don’t read manuals and they rarely take time to learn how to use their cameras. When I test, I like to have a combo of brain dead shooting scenarios (like many would do with cell phones) sprinkled with some serious shooting where I actually dial in all settings manually. This results in what I call real world shots because they are unplanned, unedited shots that just occur during the course of everyday life.
I hope you enjoy them compared to the heavily processed shots found elsewhere as they more closely represent what real people will really get out of this camera if they were to take it home and use it themselves.
The shots below and elsewhere in this article are completely unedited in-camera JPEG’s that feature camera defaults unless otherwise noted. These images may be viewed when reading this article, but you may not print, edit, modify, redistribute, etc… any of these images in any way. They are copyright Ron Martinsen – All Rights Reserved.
Click the photos to see full-size, unedited original in-camera JPEG’s.[And yes, I did shoot raw too – they just aren’t on the web].
Click here to get a full gallery of images taken while I was reviewing this camera..
f/10 @ 55mm for 1/400 sec at ISO 200
Aside from needing a faster shutter speed (user error), the X-Pro 2 did everything right for this first shot I took with this camera. That bug is alive too, hence the slight motion blur.
f/2.8 @ 36mm for 1/100 sec at ISO 200
Babies are tough to photograph because they never stay still, but the auto focus on the eyes impressed me from the first few minutes I used this camera. Any parent or grand parent who has tried to take this shot knows just how easy it is to get blurry eyes, and the shutter lag of the original X-Pro 1 would have certainly resulted in a missed opportunity. Not anymore!
f/2.8 @ 45mm for 1/600 sec at ISO 200
Wild boys are even worse, but once again the X-Pro 2 just nailed it
f/5 @ 40mm for 1/210 sec at ISO 200
f/2.8 @ 19mm for 1/210 sec at ISO 200
Thanks to a APS-C sensor, you get some blurring at f/2.8…
f/5.6 @ 19mm for 1/60 sec at ISO 200
… but at as little as f/5.6 you’ll get a lot of things in focus,
so don’t expect full-frame DSLR bokeh
f/2.8 @ 55mm for 1/1000 sec at ISO 200
Sadly the continuous auto focus mode loses facial tracking, and the zone tracking wasn’t up for the task. While I could probably get better results if I had more time with this camera, typical parents should expect a lot of blurry shots of running kids even at 1/1000 sec.
f/2.8 @ 29mm for 1/950 sec at ISO 400
After I got more comfortable with this camera, I was able to have better results for action series like these monkey bars shots. While it’s no 1D X or D4s, it did bring home more keepers than any previous Fujifilm I’ve tested.
f/2.8 @ 55mm for 1/250 sec at ISO 200
Velvia film simulation still has a place, and it’s definitely with the flowers!
f/2.8 @ 550mm for 10/640 sec at ISO 400
This was pretty much how I felt every time I took a shot of moving people while using this camera. It nailed the auto focus on the eyes almost every time!
f/2.8 @ 24mm for 1/500 sec at ISO 400
Another blind shot that makes it look so easy that you start to believe
that even a 5 month old baby can do a selfie with this camera!
f/2.8 @ 18mm for 1/550 sec at ISO 400
Again, it struggled with the slide as face mode must be disabled for continuous shooting.
Out of six attempts, I only had one series turn up any relatively in-focus shots. With my DSLR’s (including the Nikon D7200), it’s much easier to get an in-focus action shots
f/2.8 @ 17mm for 1/2200 sec at ISO 400
Even in low contrast light, it nails the focus.
Most cameras would have picked a subject in the background, the had or jacket to focus on.
I was continuously impressed with the eye focus feature.
f/2.8 @ 53mm for 1/1000 sec at ISO 200
A massive crop from the original (click image), still results in usable images for the web when you find yourself with the wrong lens on a moving tour bus
f/8 @ 55mm for 1/500 sec at ISO 400
Fujifilm cameras are loved by landscape shooters,
and this shot from a moving bus reminded me why I love them too.
The in-camera processing dishes out JPEG shots that are delicious,
and unfortunately hard to reproduce with the RAW.
f/11 @ 55mm for 1/400 sec at ISO 200
Quick snapshots like this made me wish I had a tripod and more than a few seconds to spend with tis camera in the mountains, as I think it will do spectacular even at f/11 when you can set up on a tripod and dial in the focus just right
f/4 @ 55mm for 1/640 sec at ISO 400
Fujifilm cameras have this magic that makes you see the world differently.
They make you stop, notice and capture things
you’ve walked past hundreds of times without noticing.
The X-Pro 2 brings that magic back to every day life.
Click here to get a full gallery of images taken while I was reviewing this camera..
Yes, you can capture that fleeting moment with the X-Pro 2
– even without looking through the viewfinder –
it’s that good!
Life gives you split seconds to capture that decisive moment, but for a long-time Fujifilm cameras weren’t up to the task. The AF struggled to acquire focus, the start up times were painfully slow, and the shutter lag meant any good kids shots were pure luck.
With the X-Pro 2, those dark days are over. I found myself getting spot on people shots (even with closed Asian baby eyes), so I started to trust this camera and experiment more. It rarely let me down, so I really enjoyed reviewing this camera.
Click here for part II, where I’ll do some bookshelf tests and share my final thoughts. I’ll also compare it to the Sony a6300 which I had initially thought would blow this camera away.
Click here to learn more or order the X-Pro 2 on the B&H web site, or click here to purchase the Fujifilm XF 16-55mm f/2.8 R LM WR Lens.
If you enjoyed this article, you may also enjoy these camera and lens reviews:
If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.
NOTE: This site requires cookies and uses affiliate linking to sites that use cookies.
If you enjoyed this article, please support future articles like this by making a donation or saving money by using my discount coupon codes. Either way, your support is greatly appreciated!This blog is intended for freelance writing and sharing of opinions and is not a representative of any of the companies whose links are provided on this site.
The opinions provided are of Ron Martinsen alone and do not reflect the view of any other entity
